“When I showed [Stephen Sondheim] the finished film, he said, ‘You treated me gently and royally, for which I’m grateful,’” says [Lin-Manuel Miranda]. “And then he wrote me and said, ‘But the last phone message to Jon, the language feels a little trite. I don’t feel like I would ever really say that. Can I rewrite it?’ I was like, 'Gosh, a rewrite from Stephen Sondheim — do I accept this?’”
There was only one problem — [Bradley Whitford] had already wrapped his work on the project and was unavailable to re-record it. Sondheim offered to record the new version for Miranda, and it’s his voice that audiences can hear in the final cut.
“It makes me weep to even think about,” gushes Miranda. “Because he was such a mentor to Jon and generations of songwriters. But yes, he rewrote that message and recorded it himself and just sent it to me.“ (x)
And then it becomes part of the environment, That’s Just Where it Lives, until a bout of cleaning hyperfixation where you have to concentrate really hard on The Thing and the curse is broken.
The pillow has been behind the radiator for a solid two months
this is exactly what its like and i dont know how to explain this to neurotypicals in a way theyll understand
